神哀矜七端
第六端：忍耐磨難

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這幅圖畫有一紅色及黑色的人形，紅色人形者頭戴茨冠。黑色的人形正在指責紅色的那位，令人想起基督被比拉多及法利塞人等指控。耶穌如何面對這些情況，就是基督徒應如何面對各種磨難時的榜樣，特別被無理地指控時。雖然基督被錯誤地指控，但他沒有放棄。雖然他低下頭，但他的身體仍是挺直，表示內心的平安及一種的自信。低下頭的姿勢，是紀念那些於五十年前，中國的文化大革命中，那些公開被磨難的人，特別是神職及會士。聖方濟．亞西西說：那些愛掌摑他們面頰的人，有真正的神貧。黃色的光環是當實踐忍耐磨難這慈悲美德時，所散發的聖善。這圖畫用了紅黃藍三原色，代表實踐慈悲是基督徒最原始的責任。

伍維烈修士
為了把神學與我以往的景觀建築師訓練揉合，我花了兩年時間於耶魯大學神學院研讀一個名為宗教與藝術的學程。
我希望將方濟靈修元素透過視藝表達。作為修士，我相信藝術製作是祈禱的方法之一，藝術品也是用作為一種的視覺宣講。根據會規，小兄弟的宣講是要簡潔及直接，所以我畫的圖像都盼以此為目標。

Seven Spiritual Works of Mercy
6th “To bear wrongs patiently”

This painting features a red figure – who is with a crown of thorns – and a black figure. The black figure is accusing the red one, reminding one that Christ was being accused frequently by Pilate and the Pharisees. How Jesus reacted in those situations is a model for all Christians to face all kinds of adversity, especially when being accused wrongly. Although Christ was accused wrongly, he did not give up. Although his head is down, his body remains erect, shows not only peace in his heart but also a sense of confidence. The head-down posture is in memory of those – in particular clergy and religious – who suffered during the Cultural Revolution in China 50 years ago. St Francis of Assisi says: he who is truly poor in spirit loves those who strike him on the cheek. The yellow glow around red figure is the halo of holiness that shines forth when this virtue of mercy is practiced by bearing wrongs patiently. The use of three primary colours symbolizes

Br William Ng
Trained as a landscape architect, I have done further studies in programme called Religion and the Arts at Yale Divinity School.
I aim to express elements of Franciscan spirituality through visual arts. As a friar, I believe that the art-making process is a way of prayer and the artwork itself is a form of visual preaching. In the Rule of St Francis, we are instructed to preach in a simple and direct way so I try to keep the message of my images simple and direct.

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