形哀矜七端
第三端:祼者衣之
神哀矜: 勸人悔改-嚴穎嘉 Monique Yim
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「我把我的食物分送給飢餓的人,把我的衣服施捨給裸體的人。」(多1:17)

天上的愛和慈恩,如羽翼,它如披著白日晨光、戴著黑夜星宿,羽衣時而堅實如鋼鐵,時而温柔如煦風。令冰冷的温暖,令蒙傷的治癒,令危難的平安,令迷失的安全,令失望的相信,令軟弱的堅強,令痛苦的快樂,令失去的尋獲。頓成人間愛。以愛傳愛,以生命影響生命。

作者以混合媒介及行為藝術的藝術形式,創作此實驗作品。主要用觀眾閱讀作品上的物料、圖像和文字的直觀感受,及作者在開幕禮時展演的行為藝術,帶出所要表達的主題、訊息和意象。
(作品文字創作:王穎兒)

嚴穎嘉
香港跨媒介藝術家及獨立策展人,主要從事行為、裝置、公共藝術,亦同時是教育者、電影及舞台工作者。1984年生於香港,香港中文大學主修文化及宗教研究,雙副修藝術、新聞與傳播。

The Seven Corporal Works of Mercy
3rd “Clothe the naked”

“I have my bread to the hungry and clothes to those who lacked them.” (Tb 1:17)

Love and mercy from heaven, soar like wing, and fall like feather. It can be the dawn in early mornings, and the moon and stars in dark nights. Feathered wing and wing can be as strong and sound as shield, but also be as warm and gentle as the breeze in spring. It brings warmth to the cold, cures the injured and heals the pain, safes those in danger, and leads the lost soul. Let the hopeless turn into faith; let the weak and meek be strengthened. Sorrow becomes joy, and those missed souls are found. Down onto the earth, there’s love and mercy growing in our hearts. And we pass it on.

Using the form of mixed media and performance art, artist creates this experimental piece. Materials, objects, images and texts on the artwork will be dominating the intuitive understanding of the readers. The theme, the message, and the imagery will be also revealed in the live art performance at the opening ceremony.
(Creative writing on artwork: Wiency Wong)

Monique Yim
Hong Kong interdisciplinary artist and independent curator, mainly works on performance, installation and public art. Yim also works as art educator, film and theatre worker. Yim was born in 1984 in Hong Kong, majored in Cultural and Religious Studies in the Chinese University of Hong Kong, double minor in Fine Art, Journalism and Communication.

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