形哀矜七端
第四端：收留旅人
[smartslider3 slider=12]

「我作客，你們收留了我。」（瑪25:35)

形哀矜第四端－收留旅人：區分了室內和室外。我透過用牆壁遮光，確立了室內與室外的空間。白天時，室內環境較暗，而旅人在陽光中行走。這個安排是為了顯示陽光在我心目中的神聖性。因此，在述說室內室外的故事時，選擇了白天的時間點。我希望描繪無家的狀態時，能維持有家者與無家者的平衡。

鍾劭衡
畢業於香港中文大學藝術系

The Seven Corporal Works of Mercy
4th “Shelter the homeless”

“I was a stranger and you made me welcome.” (Mt 25:35)
4th Corporal Work of Mercy, harbor the harborless, defined space, which I see as “shelter”, and another space which I see as “non-shelter”. In my painting, the wall tells the story between shelter and non-shelter by blocking sunlight. The shelter blocked sunlight and created darkness. On the contrary, the homeless (in the form of a cat) walks in sunlight, and is being invited to the darkness. I believe in the Holiness of sunlight. Therefore, I depicted the spatial relationship of shelter and non-shelter in daylight. I wish to depict the state of homelessness in a balanced composition.

Chung Siu Heng
Graduated from The Chinese University of Hong Kong – Department of Fine Arts.

[dms_manual name=”慈悲之路” placeholder=”請選擇” target=”” options=”《慈悲之路》製作花絮|https://catholicway.hk/《慈悲之路》製作花絮/,形哀矜-饑者食之-楊承謙|https://catholicway.hk/形哀矜-饑者食之-楊承謙-bernard-yeung/,神哀矜-解人疑惑-楊承謙|https://catholicway.hk/神哀矜-解人疑惑-楊承謙-bernard-yeung/,形哀矜-埋葬亡者-陳曉彤|https://catholicway.hk/形哀矜-埋葬亡者-陳曉彤-joyce-chan/,神哀矜-為生者亡者祈禱-陳曉彤|https://catholicway.hk/神哀矜-為生者亡者祈禱-陳曉彤-joyce-chan/,神哀矜-勸人悔改-形哀矜-裸者衣之-嚴穎嘉|https://catholicway.hk/神哀矜-勸人悔改-形哀矜-裸者衣之-嚴穎嘉-monique-yim/,形哀矜-渴者飲之-李康瑋|https://catholicway.hk/形哀矜-渴者飲之-李康瑋-nina-lee/,神哀矜-教導愚蒙-李康瑋|https://catholicway.hk/神哀矜-教導愚蒙-李康瑋-nina-lee/,形哀矜-照顧病人-陳智游|https://catholicway.hk/形哀矜-照顧病人-陳智游-monica-chan/,神哀矜-恕人侮辱-陳智游|https://catholicway.hk/神哀矜-恕人侮辱-陳智游-monica-chan/,神哀矜-忍耐磨難-方濟會伍維烈修…|https://catholicway.hk/神哀矜-忍耐磨難-方濟會伍維烈修士-brother-william-ofm/,形哀矜-探望囚者-方濟會伍維烈修|https://catholicway.hk/形哀矜-探望囚者-方濟會伍維烈修士-brother-william-ofm/,形哀矜-收留旅人-鍾劭衡|https://catholicway.hk/形哀矜-收留旅人-鍾劭衡-bosco-chung/,神哀矜-安慰憂苦-鍾劭衡|https://catholicway.hk/神哀矜-安慰憂苦-鍾劭衡-bosco-chung/”]